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<channel>
	<title>the milieu</title>
	<atom:link href="http://www.themilieu.com/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://www.themilieu.com</link>
	<description>unaccept the accepted</description>
	<lastBuildDate>Sun, 04 Jul 2010 05:24:56 +0000</lastBuildDate>
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			<item>
		<title>Turns</title>
		<link>http://www.themilieu.com/?p=144</link>
		<comments>http://www.themilieu.com/?p=144#comments</comments>
		<pubDate>Sun, 04 Jul 2010 05:24:56 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Creative Writing]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[<p id="top" />Turns</p>
<p>Sand. Thousands of grains surrounding the rusted legs
holding up the playground swing set. Start there. Start
with something small, something memorable. Turning
the sand over in my mind, I see the blue veil of memory
slide like a lover over the Now. My palm tickles. Grains
send waves of pleasure from my hand up to my neck,
collecting [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>Turns</strong></p>
<p>Sand. Thousands of grains surrounding the rusted legs<br />
holding up the playground swing set. Start there. Start<br />
with something small, something memorable. Turning<br />
the sand over in my mind, I see the blue veil of memory<br />
slide like a lover over the Now. My palm tickles. Grains<br />
send waves of pleasure from my hand up to my neck,<br />
collecting in electric pools that spark when I shiver.</p>
<p>Denim irritates my knees as I plant them in the sand.<br />
I dip my hand into the earth, bring a tiny fistful to my lips.<br />
I chew the sand contentedly. This is one of the first things<br />
I remember. I wait for my turn on the swing. At the apex<br />
I float. If moments are infinite, and the universe a string<br />
of tethered moments, then I am eternally motionless<br />
somewhere. I remember the windows of the nursery,<br />
the pleasing warmth illuminating stray motes of dust.<br />
I see my favorite toy, a tube I hold towards the light,<br />
When I turn the eyepiece, fractals of red and blue,<br />
green and yellow spread uniformly over a white plane.</p>
<p>Too soon it is nap time. I have always hated sleep.<br />
Miss Harvey tickles my back to relax me. So I sleep,<br />
for a time. Well before I am supposed to wake I climb<br />
over the rails of the crib with blue bars, shimmy down<br />
between the wall and the bed and place my naked feet<br />
on the cold tile floor. I creep to the door, peek out to see<br />
if any big people are looking, hurry to the room across<br />
the hallway. I hate sleep. I hate this room even more.<br />
It is an endless hall of child-sized toilets. One window<br />
faces away from the sun, and only a little light steals<br />
inside. I back away, afraid the toilets will try to eat me<br />
if I turn my back on their menacing porcelain mouths.</p>
<p>One roller skate. I am on a deck overlooking a glen<br />
of pine trees. I remember their scent &#8211; sharp, diagonal.<br />
I didn&#8217;t know those words then, but I remember feeling<br />
the smell of pine sap penetrate me. I can remember<br />
remembering time spent under a Christmas tree, losing<br />
time in the reflection of pink light on blue ornaments.<br />
I remember the old family cat Tigger belly up next to me.<br />
I remember remembering these things while wearing<br />
one roller skate because my friend Joshua was unwilling<br />
to take turns stumbling across the rough wooden deck.<br />
How do you share a pair of roller skates? Instead of trying<br />
I pick up a splinter and idly turn it over in my palm.</p>
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		<item>
		<title>Stubborn</title>
		<link>http://www.themilieu.com/?p=142</link>
		<comments>http://www.themilieu.com/?p=142#comments</comments>
		<pubDate>Wed, 30 Jun 2010 08:03:18 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Creative Writing]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=142</guid>
		<description><![CDATA[<p id="top" />Stubborn</p>
<p>We sat down on a pile of rubble
where we stopped to catch our breath
after clawing our way out of a maze
we stumbled upon while exploring. </p>
<p>Between ravenous draughts of air
you accused me of being a stubborn man.
I managed, in between shallow breaths
to muster up one cynical laugh.</p>
<p>A few moments of solitude passed
while we [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>Stubborn</strong></p>
<p>We sat down on a pile of rubble<br />
where we stopped to catch our breath<br />
after clawing our way out of a maze<br />
we stumbled upon while exploring. </p>
<p>Between ravenous draughts of air<br />
you accused me of being a stubborn man.<br />
I managed, in between shallow breaths<br />
to muster up one cynical laugh.</p>
<p>A few moments of solitude passed<br />
while we finished the task of gasping.<br />
I repeated your words with contempt.<br />
&#8220;Stubborn,&#8221; I muttered,<br />
&#8220;stubborn.&#8221; </p>
<p>You considered me with set lips.<br />
Your eyes glimmered with dissent<br />
for one painfully brief moment before<br />
you turned away, and went away.</p>
<p>I live now in a labyrinth of words.<br />
Lines of poems settle like dust on stacks<br />
of underlined paragraphs<br />
and blocks of unformed arguments.</p>
<p>&#8220;Stubborn.&#8221; I turn this single word<br />
over, listen to its resounding sound<br />
as it collides against my empty theses,<br />
echoes through my hollow citations,<br />
rolls around my equivocations.</p>
<p>I know now how right you were.<br />
I am indeed one stubborn man,<br />
unflinching in my desire for a time<br />
I can no longer call the present.</p>
<p>Stubborn, yes, I am stubborn.<br />
I stand alone on a pile of rubble.<br />
I overfill my lungs in a penitent appeal<br />
to time-lost winds, searching without ceasing<br />
for one last wisp of your scent.</p>
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		<title>For Bonnie on her Thirty-First Birthday</title>
		<link>http://www.themilieu.com/?p=140</link>
		<comments>http://www.themilieu.com/?p=140#comments</comments>
		<pubDate>Mon, 28 Jun 2010 21:45:36 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Creative Writing]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=140</guid>
		<description><![CDATA[<p id="top" />For Bonnie on her Thirty-First Birthday </p>
<p>Your name is Beautiful, the truest label
any human language could give you.
I revisit childhood often, and I smile
while you thrive in forgotten moments. </p>
<p>Seventh grade &#8211;
I get a candygram while dissecting a frog.
My cheeks burn as classmates tease me,
but now I have the strength to be grateful. [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>For Bonnie on her Thirty-First Birthday </strong></p>
<p>Your name is Beautiful, the truest label<br />
any human language could give you.<br />
I revisit childhood often, and I smile<br />
while you thrive in forgotten moments. </p>
<p>Seventh grade &#8211;<br />
I get a candygram while dissecting a frog.<br />
My cheeks burn as classmates tease me,<br />
but now I have the strength to be grateful. </p>
<p>Third grade &#8211;<br />
mistaking a four for a seven, you delegate<br />
the opening of stockings and minor presents,<br />
followed by their careful repackaging. </p>
<p>Second grade -<br />
you spread ridiculous globs of shaving cream<br />
over my beardless chin, mimicking a routine<br />
I would only begin to practice in college. </p>
<p>Fourth grade &#8211;<br />
you chat happily with Mom. The words turn to<br />
white noise through my bedroom walls,<br />
but your ringing laughter wakes me up. </p>
<p>Ninth grade &#8211; you stop the sun.<br />
I cannot look at you in the emergency room.<br />
I collect your abandoned bags in the fog.<br />
You sit on a fence and we beg you to return. </p>
<p>You choose to return. Maybe you heard<br />
James say &#8220;I do.&#8221; Maybe your heard<br />
the children who call you Mommy laughing.<br />
Maybe you knew were still needed, that<br />
your firstborn&#8217;s smile would save my life one July. </p>
<p>Your name is Beautiful, the truest label<br />
any human language could give you.</p>
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		<title>The Birth of Cut</title>
		<link>http://www.themilieu.com/?p=138</link>
		<comments>http://www.themilieu.com/?p=138#comments</comments>
		<pubDate>Thu, 24 Jun 2010 19:45:45 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Creative Writing]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=138</guid>
		<description><![CDATA[<p id="top" />The Birth of Cut</p>
<p>Cut remembers the Owl Moon.
Cut remembers the gray snow,
the rusted spade which sufficed
as a shovel in a toddler&#8217;s hands.</p>
<p>Cut remembers the black ice,
revisits the thrill of terror as two
threadbare tires lose their traction.
Cut wants to feel that alive again.</p>
<p>Cut remembers the moldy phrase
&#8220;missing in action.&#8221; Missing in -
Cut has acted. [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>The Birth of Cut</strong></p>
<p>Cut remembers the Owl Moon.<br />
Cut remembers the gray snow,<br />
the rusted spade which sufficed<br />
as a shovel in a toddler&#8217;s hands.</p>
<p>Cut remembers the black ice,<br />
revisits the thrill of terror as two<br />
threadbare tires lose their traction.<br />
Cut wants to feel that alive again.</p>
<p>Cut remembers the moldy phrase<br />
&#8220;missing in action.&#8221; Missing in -<br />
Cut has acted. He has acted<br />
and he has been overlooked.</p>
<p>Cut sketches the word &#8220;hope&#8221;<br />
on his right wrist, scrawls &#8220;despair&#8221;<br />
on his left. Despair grates against<br />
the small scar left by a sixth-grade failure.</p>
<p>Glassy eyes reflect fluorescent light.<br />
Cut remembers how something deep<br />
within his gut demanded that he stare,<br />
how something in his chest said no.</p>
<p>Cut still feels three phantom fingers<br />
tracing sacred letters beneath his wrist.<br />
Cut feels the first and only fist to crash<br />
against his cheek and chokes down laughter.</p>
<p>Cut can&#8217;t remember exactly how or when<br />
the phrase &#8220;happily ever after&#8221; lost its power.<br />
Nonetheless he races down synaptic fibers<br />
in a quest to find the answer to a futile question.</p>
<p>The closest Cut gets is December 31st, 2006.<br />
He squats and leans his back against a wall<br />
in Whittier, California. He looks up at an Owl Moon.<br />
He grimaces, mutters, &#8220;Once again, I learn.&#8221;</p>
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		<item>
		<title>Worst Moments</title>
		<link>http://www.themilieu.com/?p=136</link>
		<comments>http://www.themilieu.com/?p=136#comments</comments>
		<pubDate>Tue, 20 Apr 2010 08:30:49 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=136</guid>
		<description><![CDATA[<p id="top" />Worst Moments</p>
<p>While we were smoking cigars in the blue beach chairs
decorating my front porch, my friend confided
&#8220;You always remember the best moments
and forget the worst when you mourn lost love.&#8221;</p>
<p>He may be right, at least generally, but not tonight.
Tonight I forcibly recalled a random fight you and I had
over the way we play [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>Worst Moments</strong></p>
<p>While we were smoking cigars in the blue beach chairs<br />
decorating my front porch, my friend confided<br />
&#8220;You always remember the best moments<br />
and forget the worst when you mourn lost love.&#8221;</p>
<p>He may be right, at least generally, but not tonight.<br />
Tonight I forcibly recalled a random fight you and I had<br />
over the way we play games. You said I took them<br />
too seriously. I said you did too. We met no compromise<br />
that night; I fumed over your pride, you brooded over mine.</p>
<p>Is it too much to say I would cede a hundred million<br />
heartbeats to return right now, right here, to that<br />
moment of fractured contact with you? I would, anyway.</p>
<p>Is it too much to say I would forego those rare nights<br />
when I sleep soundly just to lay awake, listening<br />
while my pulse accelerates to an irrepressible thrum<br />
while I held you for the first time? I would, I would. </p>
<p>Is it too much to say I would forget the smell of honeysuckle<br />
just to smell you once more on my pillow? Tonight,<br />
while I lay awake in bed dissecting my past, forcibly<br />
remembering every moment where I pushed you away,</p>
<p>repenting for every misspoken syllable, I would cede,<br />
I would forego, I would readily untether. Whether<br />
reasonable or no, I will never ever forget the worst moments.<br />
They&#8217;re better than those other best moments. </p>
<p>They&#8217;re better than the first time I smelled honeysuckle.<br />
They&#8217;re better than the first time I woke up refreshed.<br />
They&#8217;re better than the first time my doctor put his stethoscope<br />
in my ears and let me hear, for one brief moment, the sound of my life.</p>
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		<item>
		<title>Fractals 01</title>
		<link>http://www.themilieu.com/?p=134</link>
		<comments>http://www.themilieu.com/?p=134#comments</comments>
		<pubDate>Sun, 18 Apr 2010 21:28:33 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=134</guid>
		<description><![CDATA[<p id="top" />Fractals 01</p>
<p>You speak. You inhale worlds to exhale
fragments. Your mouth partitions
one from another, finds crevices
in which to seed complex divisions
like crabapple sprouts in sidewalks.</p>
<p>I watch one shard splinter and shatter.
What was once a whole jackknifes
away from your lips, its tip colliding
with an equally proportioned bit
of what was once to form a fractal.</p>
<p>So two [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>Fractals 01</strong></p>
<p>You speak. You inhale worlds to exhale<br />
fragments. Your mouth partitions<br />
one from another, finds crevices<br />
in which to seed complex divisions<br />
like crabapple sprouts in sidewalks.</p>
<p>I watch one shard splinter and shatter.<br />
What was once a whole jackknifes<br />
away from your lips, its tip colliding<br />
with an equally proportioned bit<br />
of what was once to form a fractal.</p>
<p>So two becomes one other, only to<br />
collect other others falling, gliding,<br />
diving off the lips which purse, part,<br />
curse, sort worlds into fragments.<br />
Patterns are magnetic, or inescapable.</p>
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		<title>3:18 PM</title>
		<link>http://www.themilieu.com/?p=132</link>
		<comments>http://www.themilieu.com/?p=132#comments</comments>
		<pubDate>Thu, 15 Apr 2010 22:40:44 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=132</guid>
		<description><![CDATA[<p id="top" />3:18 PM</p>
<p>It is a benevolent spring. Today&#8217;s weather
permits thousands of bodies to pepper
Miami&#8217;s placid beaches. Coral reefs,
dying while the ocean&#8217;s pH plummets,
for now break the Atlantic&#8217;s waves
into smaller, calmer fragments.
Twenty miles inland, thunderclouds
arrange themselves in temporary summits
above the same Everglades where
with a valid permit you can kill
the feral boas who&#8217;ve outgrown their novelty.
Between [...]]]></description>
			<content:encoded><![CDATA[<p id="top" /><strong>3:18 PM</strong></p>
<p>It is a benevolent spring. Today&#8217;s weather<br />
permits thousands of bodies to pepper<br />
Miami&#8217;s placid beaches. Coral reefs,<br />
dying while the ocean&#8217;s pH plummets,<br />
for now break the Atlantic&#8217;s waves<br />
into smaller, calmer fragments.<br />
Twenty miles inland, thunderclouds<br />
arrange themselves in temporary summits<br />
above the same Everglades where<br />
with a valid permit you can kill<br />
the feral boas who&#8217;ve outgrown their novelty.<br />
Between the tempered water and false mountains<br />
you might find a man lying on his bed,<br />
writing one moment into existence<br />
&#8212;-	inhale<br />
striking another moment out<br />
&#8212;-	exhale<br />
waiting for a sound to interrupt<br />
his thoughts. For now, he dwells on<br />
the effort of respiration,<br />
the fate of pet pythons,<br />
Florida&#8217;s mountainous cumulonimbi,<br />
the drying out of coral,<br />
the people he will never know.</p>
<p>[brian]</p>
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		<item>
		<title>Sutures</title>
		<link>http://www.themilieu.com/?p=130</link>
		<comments>http://www.themilieu.com/?p=130#comments</comments>
		<pubDate>Sat, 03 Apr 2010 03:02:04 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=130</guid>
		<description><![CDATA[<p id="top" />I misplaced
the future.
It was there
one minute,
gone the next.
What&#8217;s odd,
however, is
the gaping hole
the future left
in my chest.</p>
<p>I didn&#8217;t bleed.
Instead I wept
myself to sleep,
then slept myself
into my pasts.
I tumbled from
dream to dream,
up one path and down
the endless next,
in a futile search
for any self
the future left
untouched.</p>
<p>Because you change
a thing when
you observe it,
because the future
stared straight
through me,
every [...]]]></description>
			<content:encoded><![CDATA[<p id="top" />I misplaced<br />
the future.<br />
It was there<br />
one minute,<br />
gone the next.<br />
What&#8217;s odd,<br />
however, is<br />
the gaping hole<br />
the future left<br />
in my chest.</p>
<p>I didn&#8217;t bleed.<br />
Instead I wept<br />
myself to sleep,<br />
then slept myself<br />
into my pasts.<br />
I tumbled from<br />
dream to dream,<br />
up one path and down<br />
the endless next,<br />
in a futile search<br />
for any self<br />
the future left<br />
untouched.</p>
<p>Because you change<br />
a thing when<br />
you observe it,<br />
because the future<br />
stared straight<br />
through me,<br />
every particle<br />
of my trillions<br />
was displaced.<br />
The future left<br />
no thing in place.<br />
The future left<br />
no self alone.</p>
<p>And now that<br />
I&#8217;ve misplaced<br />
the future,<br />
I have no<br />
pristine Self<br />
to tell<br />
&#8220;Start over!&#8221;<br />
I have no<br />
intact voice<br />
to yell<br />
&#8220;Start over!&#8221;<br />
I have no<br />
untapped Me<br />
to beg<br />
&#8220;Start over!&#8221;</p>
<p>I cannot<br />
start over.<br />
Instead<br />
I grab<br />
a needle.<br />
I weave<br />
a spool<br />
of words,<br />
memories,<br />
mistakes,<br />
minutes,<br />
mysteries.</p>
<p>I thread<br />
the needle<br />
with these,<br />
improvise<br />
a suture,<br />
improvise<br />
a self<br />
without<br />
a future.</p>
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		<title>The Measurement Problem</title>
		<link>http://www.themilieu.com/?p=128</link>
		<comments>http://www.themilieu.com/?p=128#comments</comments>
		<pubDate>Sat, 27 Mar 2010 02:16:52 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=128</guid>
		<description><![CDATA[<p id="top" />She floats beneath the surface
in a pool with obsidian walls.
Her hair flows like electrons:
each strand is a field of probability.</p>
<p>She floats beneath the surface,
her eyes closed, her pursed lips
whispering bubbles into existence.
I cannot tell if she is praying or dying.</p>
<p>My head hurts; I hear myself say,
&#8220;You know her.&#8221; I do know her.
Her name [...]]]></description>
			<content:encoded><![CDATA[<p id="top" />She floats beneath the surface<br />
in a pool with obsidian walls.<br />
Her hair flows like electrons:<br />
each strand is a field of probability.</p>
<p>She floats beneath the surface,<br />
her eyes closed, her pursed lips<br />
whispering bubbles into existence.<br />
I cannot tell if she is praying or dying.</p>
<p>My head hurts; I hear myself say,<br />
&#8220;You know her.&#8221; I do know her.<br />
Her name is Simone de Pontié.<br />
She is a fold in the fabric of space.</p>
<p>I swim over to her. I yell,<br />
&#8220;You let me love you once!<br />
Please, let me love you again.&#8221;<br />
She opens her eyes, looks through me.</p>
<p>As an observed electron behaves itself,<br />
so the field of all probabilities resolved<br />
into a body of hair flowing side to side<br />
as Simone shook her head, &#8220;No. No. No.&#8221;</p>
<p>I will not let her speak through me.<br />
Suffice it to say, she spoke. Her words<br />
burned. Days later, I still double over<br />
as I churn over futures which will never exist.</p>
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		<title>Despite the Fact . . .</title>
		<link>http://www.themilieu.com/?p=126</link>
		<comments>http://www.themilieu.com/?p=126#comments</comments>
		<pubDate>Mon, 25 Jan 2010 18:11:16 +0000</pubDate>
		<dc:creator>brian.b</dc:creator>
				<category><![CDATA[musings]]></category>

		<guid isPermaLink="false">http://www.themilieu.com/?p=126</guid>
		<description><![CDATA[<p id="top" />that I have pursued an academic career in English literature, I have long had a keen interest in the human body. Sometimes that&#8217;s been a good thing, and other times bad. </p>
<p>Since childhood, I&#8217;ve been acutely aware of any sensation in my body. I remember the first time I noticed something physically &#8220;off&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p id="top" />that I have pursued an academic career in English literature, I have long had a keen interest in the human body. Sometimes that&#8217;s been a good thing, and other times bad. </p>
<p>Since childhood, I&#8217;ve been acutely aware of any sensation in my body. I remember the first time I noticed something physically &#8220;off&#8221; at the age of three. As I lay in bed, I could hear the fabric of my pillow moving as my heart beat. It was annoying: once I noticed the sound, I couldn&#8217;t ignore it. I had to get used to the fact that I felt my heartbeat in my earlobe, that I could hear the cotton pillow slip slide in response to my pulse, and that I couldn&#8217;t shut down the part of my brain that was aware.</p>
<p>Of course I didn&#8217;t have the language to express these experiences when I was three. It wasn&#8217;t until five years later, when my optometrist was shining a bright light in my eyes, that I learned a phrase to describe my keen sense of presence. As my optometrist routinely scanned my retina for any signs of damage or bleeding, I asked if seeing the veins on the back of my eye was normal. My optometrist lowered his light and asked me to describe what I saw. I told him, &#8220;It looks like a tree with lots of branches.&#8221; He said that I could see what&#8217;s called the arbre de vie (tree of life) running through my retina, that my awareness was uncommon, but that I was okay &#8211; just photosensitive.</p>
<p>I had a label. I was photosensitive. With time I realized I was audiosensitive, olfactosensitive, degustosensitive, and tactisensitive. I was, in short, sensitive. That sensitivity set me apart, made me feel responsible for my body, made me aware of how much the human feels in every given day.</p>
<p>The human body is amazing, but for a long time I lived in the shadow of fear that something within my incredibly complex system of systems will go wrong. I didn&#8217;t say might &#8211; it will. Whether from trauma, mutation, or age, I will someday break. And then I will no longer be sensitive. </p>
<p>Oddly enough, this with time became a reassurance. I will break. And, honestly, I probably won&#8217;t be aware of the fact that I&#8217;ve broken until it&#8217;s too late to do anything about it. Humans, no matter their levels of sensitivity, are notoriously bad at self-diagnosis. When a doctor finally told me this (after I noticed that the veins in my chest turned bluer when I raised my arms), I began to accept that my sensitivity can be all blessing, no curse. I just have to stop worrying about what I sense and start living in the world I DO sense.</p>
<p>And, when I&#8217;m no longer looking inward, that world is a vibrant place.</p>
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