Despite the Fact . . .

that I have pursued an academic career in English literature, I have long had a keen interest in the human body. Sometimes that’s been a good thing, and other times bad.

Since childhood, I’ve been acutely aware of any sensation in my body. I remember the first time I noticed something physically “off” at the age of three. As I lay in bed, I could hear the fabric of my pillow moving as my heart beat. It was annoying: once I noticed the sound, I couldn’t ignore it. I had to get used to the fact that I felt my heartbeat in my earlobe, that I could hear the cotton pillow slip slide in response to my pulse, and that I couldn’t shut down the part of my brain that was aware.

Of course I didn’t have the language to express these experiences when I was three. It wasn’t until five years later, when my optometrist was shining a bright light in my eyes, that I learned a phrase to describe my keen sense of presence. As my optometrist routinely scanned my retina for any signs of damage or bleeding, I asked if seeing the veins on the back of my eye was normal. My optometrist lowered his light and asked me to describe what I saw. I told him, “It looks like a tree with lots of branches.” He said that I could see what’s called the arbre de vie (tree of life) running through my retina, that my awareness was uncommon, but that I was okay – just photosensitive.

I had a label. I was photosensitive. With time I realized I was audiosensitive, olfactosensitive, degustosensitive, and tactisensitive. I was, in short, sensitive. That sensitivity set me apart, made me feel responsible for my body, made me aware of how much the human feels in every given day.

The human body is amazing, but for a long time I lived in the shadow of fear that something within my incredibly complex system of systems will go wrong. I didn’t say might – it will. Whether from trauma, mutation, or age, I will someday break. And then I will no longer be sensitive.

Oddly enough, this with time became a reassurance. I will break. And, honestly, I probably won’t be aware of the fact that I’ve broken until it’s too late to do anything about it. Humans, no matter their levels of sensitivity, are notoriously bad at self-diagnosis. When a doctor finally told me this (after I noticed that the veins in my chest turned bluer when I raised my arms), I began to accept that my sensitivity can be all blessing, no curse. I just have to stop worrying about what I sense and start living in the world I DO sense.

And, when I’m no longer looking inward, that world is a vibrant place.

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Poem: Desert 06

Desert 06

It is no metaphor to say you move the earth by singing.
You inhale the wind, the dust. You exhale water
vapors that, on certain cold-snap nights, form clouds
which rise and unfold outward in the darkness.

Your tune illuminates the Unlit City, reverberates
down the open throats, knits sinew onto dead bones.
You tear a part in [...]

when/what/was – Chapter 12

when/what/was
Chapter 13

Was it a dream or a poem? Was it a dream or a poem?

“Li,” Grin whispers into the still cold air, “I’m coming.”
“Grin,” Li whispers into the warm moist air, “stay put.”
“I’ve been searching for so long,” Grin says in the night.
“It’s better that you don’t find me,” Li says in the [...]

when/what/was – Chapter 11

when/what/was
Chapter 11

What happened once shapes what happens next.

A man sits outside in the cold Southern California evening. He pours a libation for a lost comrade on sandstone pavers. He closes his eyes to feel the hundreds of pinpoint lights surrounding him. He whispers a name, he feels a distance, he bows his head [...]

Poem: Ends of Lines

Ends of Lines.

The day ends with white noise.
The day ends with a syllable
—– covering the edge of his tongue.
The day ends with humidity
—– hovering over a displaced Miami
—– as warm in December as in May.

The day ends with a long yawn.
The day ends with a long echo
—– resounding in an empty bedroom.
The day ends with a long [...]

when/what/was – Chapter 10

when/what/was
Chapter 10

Q: What was it that happened once?
A: The what that happened once is, not was, a connection in Grin that severed many previous bonds.

Q: Can you tell me how it felt, when what happened happened once?
A: Yes. What happened once felt like a breaking and a joining, like sliding into a warm darkness and [...]

when/what/was – Chapter 9

when/what/was
Chapter 9

and this is the beginning: when the world ends
in a slowing and cooling: what color the skies
turn as the sky stops turning: was it a dream
or was it a poem Grin is writing in the end?

Grin and three companions travel to the unlit city by train. The sky turns from rose-red dawn [...]

when/what/was – Chapter 8

when/what/was
Chapter 8

Was it a poem, or was it a dream?

It’s probably a stupid question to ask. Probably strikes you as pretentious. Probably annoys you because “it” is so ambiguous. For that, the narrator apologizes on behalf of Grin. I’m telling you his story, or the story for which he’s responsible. It’s not [...]

when/what/was – chapter 7

when/what/was

Chapter 7

What was never no not ever will not ever never ever be.

Once upon a time, Grin’s waking self had a professor who described contemporary poetry as “nothing more than broken prose.” And with that he moved on to other things. Grin’s waking self, believing his professor, deleted several dozen poems written in [...]

A Disaffected Poet

A Disaffected Poet.

I opened the door to my apartment.
—–I sat down in my stairwell.
—–I asked for a muse.
One answered my call but I didn’t feel inspired.
She exhausted me just by standing in my room,
her eyes fixed on the untouched paper waiting
—–on my desk.

I merely sat there, mulling over a week full of
—–half failures
—–pyrrhic [...]